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For those too young to recall the tragic events of November 22, 1963, one of the most stark and enduring images of a lifetime came on a frigid afternoon in January 1986 when the Space Shuttle Challenger blew up while skyrocketing heavenward. By th...

Be Cool, the belated sequel to 1995's Get Shorty, has moments when we think it's going to work. It occasionally tantalizes with witty dialogue and sharp supporting performances. Alas, those are only teases - the film is priming us for something t...

Timeliness can be important in a film’s release, but it’s rarely all-important. Consider The Beach House, for example. Here’s a movie about people trapped in a shelter-in-place situation by an unknown contagion that has infiltrated the a...

There are three things going on in The Beta Test. One works exceptionally well. One works okay (although it will fare better with “insiders” than “regular folks”). And the other pretty much fails. It’s a mixed bag although the short ...

What happens when movie producers cross Three's Company with Masterpiece Theater? The result would be similar to what Touchstone Pictures has provided with Casanova, a farcical romantic comedy period piece. It's worth noting that producing a farc...

For his follow-up to City of God, Brazilian director Fernando Meirelles has elected to adapt John Le Carré's The Constant Gardener into movie form. A slow-burn thriller simmering with international intrigue, the book would at first seem too long ...

Roland Emmerich must dislike New York City. After all, this is the third time he has destroyed it. The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It'...

Sixteen years after her death, Princess Diana is still capable of generating interest, which is probably the only reason why this dull, pointless movie was greenlighted. A scattershot treatment of the paparazzi darling's life during her post-Charle...

It seems that an inordinate number of movies produced by BBC Films take us back in time to an England That Was, where class structures were as rigid as women's corsets and royalty meant more than a ceremonial title. In many cases, there's a samene...

Exodus represents Ridley Scott's attempt to emulate Cecil B. DeMille. Comparisons with The Ten Commandments are both unavoidable and appropriate. Considering the mixed critical reaction to the 1956 spectacle, it is perhaps surprising that Exodus co...