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Hollywood loves stories about crusading lawyers. For as long as there have been movies, there have been courtroom dramas and, although attorneys may be regarded with skepticism in the real world, they are more often than not heroic on-screen. Althoug...

Once upon a time in motion pictures, the historical epic was a popular genre – big, sprawling stories featuring larger-than-life characters splashed across a wide screen. The best of these often deviated wildly from the facts that formed their f...

The title doesn’t lie. Women Talking is all about women talking. In this case, their conversation revolves around the nighttime horrors they have experienced living in a cloistered, patriarchal Mennonite community where the use of tranquilizers ...

Even though it is rather obviously trading on a familiar and beloved brand, Wonka is nevertheless a fun and imaginative family film – certainly better than one might expect from a production crassly viewed by some as a “cash grab.” While the...

If John Wick or Payback is a gourmet burger, A Working Man is a Big Mac. A little tacky and neither nutritious nor memorable, the fast food staple nevertheless satisfies a craving while offering a helping of ephemeral, guilty pleasure. This film d...

Ten years ago, when the second and final Timothy Dalton Bond movie, Licence to Kill, tanked at the box office, it looked like the venerable secret agent had finally run out of gas, driven into the ground by the likes of The Terminator and Rambo. A...

The World's End represents the conclusion to the so-called "Three Flavours Cornetto Trilogy" from the creative team of Edgar Wright, Simon Pegg, and Nick Frost. Finding linkage between this film and its predecessors, Shaun of the Dead and Hot Fuzz,...

After scoring big with his live-action adaptation of Aladdin for Disney, Guy Ritchie returns to more familiar territory with Wrath of Man, an English-language remake of the 2004 French revenge thriller, Le Convoyeur. Accompanying him on this b...

Emerald Fennell’s Wuthering Heights opens with a promise the rest of the film is ultimately unable to keep. It begins with the spectacle of a mid-19th-century public hanging—an event that conflates death with lust, instantly drawing the vi...

For his directorial debut, Idris Elba has elected to work in a genre he’s comfortable with – the crime thriller. The actor-turned-director is not, however, content merely to regurgitate bits and pieces of productions in which he has appear...