ReelViews for R movies

Summer is the season of bloat and the trait is evident in Spy's excessive running length. At about 90 minutes, this would have been a fresh, breezy action-comedy. However, with an additional half-hour of padding, viewers are forced to endure stre...

The biggest crime committed by The Spy Who Dumped Me isn’t its dearth of humor or reliance on an unimaginative espionage plot but the way it wastes the talents of its leads, Mila Kunis and Kate McKinnon. Their easy rapport, a staple of any wo...

The Square is an indicator that not only Hollywood blockbusters can be afflicted with bloat. At nearly 2 1/2 hours in length, this production takes what could have been a lean, incisive satire of art, commerce, and altruism and turns it into a...

The foundation of any good family drama is interesting characters, and The Squid and the Whale is replete with them. Movies about divorce and dysfunctional families are so commonplace that it's difficult to avoid slipping into clichés yet, as a re...

Stand By Me reinforces something that has been understood in Hollywood for decades: nostalgia sells. With this film, it's "planned nostalgia," meaning that the production was designed from the beginning to encourage older audience members to look ...

Hollywood loves coming back to this story; it shows the entire lifecycle of show business and celebrity in one easily-digestible morsel. Over the years, A Star Is Born has attracted the likes of Frederic March, Gloria Gaynor, Judy Garland, Jam...

Whenever a motion picture tackles a literary classic of any genre, fans of the written work hold their collective breaths, hoping for the best, but dreading the worst. On rare occasions, something like The Godfather emerges -- a movie that not onl...

Starting out in the Evening is as much a meditation on the craft of writing as it is a May/December romance. It's a gentle, unhurried drama about how people can connect with each other through conversation, nonverbal gestures, and writing. The pa...

State and Main offers prolific playwright/filmmaker David Mamet his latest chance to re-invent himself. Mamet, who is perhaps best known for his twisty thrillers (House of Games, The Spanish Prisoner) and tense psychological dramas (Glengarry Glen...

Going into Stay, I was aware that the director was Marc Forster, the man who made Monster's Ball and Finding Neverland. However, even with that knowledge, it wouldn't have surprised me to see David Lynch's name during the closing credits. Stay is...