Movies in the Drama/Comedy genre

It's easy to understand why the original Magic Mike was a success: the not-too-cheesy, not-too-serious story of a male stripper featured plenty of beefcake, high-energy dance sequences, standout performances from Channing Tatum and a manic Matthe...

It's not hard to be enthusiastic about The Matador, an uncommon buddy film starring Pierce Brosnan and Greg Kinnear. The movie has a nicely modulated mix of comedy and pathos, but succeeds as much because of the two lead performances as Richard She...

At first glance, one could assume this is just another "cancer romance", but such a glib description does Me and Earl and the Dying Girl a disservice. As brought to the screen by director Alfonso Romez-Rejon and writer Jesse Andrews (adapti...

The endless summer, when one day bleeds into the next to stock a catalog of memories… For many families, the summer vacation, whether at a lake or a beach, is an annual ritual – occasionally hated at the time yet looked on with fondness th...

After the misstep of Mistress America, The Meyerowitz Stories (full name: The Meyerowitz Stories (New and Selected)) represents a “return to form” for writer/director Noah Baumbach. Less pretentious and self-indulgent than some of his mumb...

Amy Adams must enjoy fairy tales - this is the second one in which she has appeared during the last six months. Although Miss Pettigrew Lives for a Day differs substantially in many key areas from Enchanted, both movies are anchored by Adams, whos...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...

"[Dorothy Parker] was a groundbreaker in a lot of ways. In her day, to write captions and fashion stories was about all that a woman writer could aspire to. Dorothy had the respect of her peers. But she was also a critic, and I think she worked ...

Nostalgia can be a wonderful thing, especially when a director tweaks it and plays with it. With Nebraska, Alexander Payne, working from a screenplay credited to Bob Nelson, targets a very specific slice of Americana that has often been romanticize...

Watching Never Goin’ Back, I wasn’t sure whether this was intended to be a slice-of-life comedy, a coming of age drama, or a horror film. Since the first two don’t really apply – it’s not nearly as funny as it thinks it is and the ch...