Movies in the Drama/Comedy genre

It’s the early 1990s and Lee Israel (Melissa McCarthy) is already well past her sell-by date. An author specializing in biographies (she once landed on the New York Times bestseller list for one she wrote about game show panelist Dorothy Kil...

Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imagina...

It's a curious thing. Whenever this much talent is assembled for a motion picture, the result inevitably seems to be a letdown. And to say that Charlie Wilson's War is topheavy with talent is to understate the matter. The cast features three Osc...

There is something a little retro about the relaxing blend of screwball comedy and low-key drama that represents Raymond De Felitta's City Island. An indie of the sort that achieved popularity during the 1990s but which has since fallen out of fav...

In 1927, with much fanfare, The Jazz Singer was released. As every movie-lover knows, this otherwise unremarkable motion picture possessed one crucial asset: it was the first film to use recorded sound, and ushered in the "talkie" era. The trans...

My reaction to The Darjeeling Limited is much the same as for most of Wes Anderson's previous efforts: it's an easy movie to admire but more difficult to like. Technically and thematically, there's a lot in The Darjeeling Limited to arrest the atte...

Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle. Then again, it functions even worse as a "drama" because the production insults the vie...

The Descendants may be director Alexander Payne's finest outing to date. The man who began his career behind the camera with withering satires (Citizen Ruth, Election) has moved into dramatic comedies (About Schmidt, Sideways) that simultaneously ...

Ron Howard is unquestionably an A-list director, and his credentials are impeccable. When a filmmaker of Howard's status has a movie tossed into theaters during garbage time (January/February or August), it results in raised eyebrows and generates ...

Don Jon is about addiction, obsession, and compulsion. It's about how the elements that drive and define our lives can impede normal, productive behavior. And, unlike a dark film like Shame, which deals with the same subject, it attacks its thesis ...