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This movie gave me a headache. Okay, maybe that's an unfair charge to lay at its feet but the fact is that when I walked into the theater, I was fine and when I walked out I had a throbbing pain between my temples. And Bride Wars is the kind of m...

One of the positive qualities often attributed to movies in which Judd Apatow claims involvement (here, he's listed as a producer) is that, beneath all the raunchiness and profanity, lies a core of sweetness. It's the Tootsie Pop philosophy of R-ra...

Candy is an Australian film that also offers a dose of familiarity. It's one of those drugs-are-hell movies that follows the time-tested path of watching two generally likable characters embark upon the road to self-destruction that results when re...

The Canyons opens with still photographs of crumbling, disused movie theaters - multiplexes that, as recently as a decade ago, might have been bustling sites of human congress on weekends and holidays. These images have little to do with the story ...

Movies like Captain Phillips - taut, white-knuckle thrillers that feature ordinary guys instead of bona fide action heroes - are something of an endangered species. In today's risk-averse movie industry, making an "action" film without an establish...

Writer/director Paul Schrader makes moody, low-budget movies about isolated people. While his highly regarded reputation as a screenwriter is deserved (he wrote, among other titles, Raging Bull and Taxi Driver), his directorial resume is checke...

When Pierce Brosnan took over the role of James Bond for Goldeneye, much was made about how the franchise was being "modernized." In reality, the only apparent changes were cosmetic. Brosnan's 007 was easily connected to the character previously p...

New Line Cinema faces a monumental feat in attempting to market The Cell, a decidedly non-mainstream serial killer thriller that has the sensibilities of an art film. Visually enticing and intellectually demanding, The Cell takes viewers deep into...

It's a given that most comedies centered around kids and high schools will involve, to one degree or another, the subject of popularity. For the average teenager, few things are more important than being liked. The ultimate high is being recognize...

Since imprinting his name on the international indie box office with his mid-'90s one-two punch of Exotica and The Sweet Hereafter, Toronto-based filmmaker Atom Egoyan has been struggling to regain his footing. In one way or another, his last few ...