Movies with cinematographer John Schwartzman

Seen in standard (non-IMAX) 3-D. After several years of minimal screen presence, superheroes are coming back to multiplexes in 2011 with a vengeance. First out of the starting gate is Michael Gondry's re-imagination of The Green Hornet, a proper...

It has taken Hollywood more than fifty years to produce a rebuttal to Arthur Penn’s classic Bonnie and Clyde. In the romanticized 1967 gangster film, law enforcement in general and Frank Hamer in particular were portrayed as bumbling up until...

It has been 22 years since Jurassic Park ushered in the modern age of computer generated imagery, becoming the first motion picture to use the then-cutting edge special effects technology to astound and amaze us. Director Steven Spielberg allowed us ...

There’s irony at work here. Back when it this long-running franchise began in 1993 with Jurassic Park, it was all about the dinosaurs. The first movie to go all-in using CGI technology, the Steven Spielberg-directed blockbuster caused everyone t...

If Richard Curtis watches Last Christmas, he will likely do so with a smile on his face. In approach, tone, and intent, this is very much like the kind of film Curtis makes and bears more than a passing resemblance to his unlikely now-classic ...

The biggest thing The Little Things has going for it is that it’s not a run-of-the-mill mystery/thriller. The most significant potential problem, especially with respect to mainstream acceptance, is the ambiguity of the resolution. Some view...

I am not a fan of Meet the Parents, the 2000 film that introduced Ben Stiller to the joys of having an ex-CIA agent as a potential father-in-law. The movie is too much like a sit-com, although, as a counterbalance, it offers several big laughs. Me...

How to review a movie that's essentially a copy of its predecessor? The temptation is to simply copy what I wrote about the first National Treasure into this space with a few minor edits to account for name and location changes. Everything from t...

The best thing that can be said about the second Night at the Museum (which bears the unnecessarily long full title of Night at the Museum: Battle of the Smithsonian) is that it's harmless. And pointless. And dumb. This is a perfect example of a ...

To think of uber-producer Jerry Bruckheimer and action director Michael Bay is to be reminded of popcorn-and-eye candy trifles like The Rock and Armageddon - movies where flashy special effects and lobotomized scripts are arguably assets. The pair...