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After stumbling through a lackluster first 30 minutes that features all the tepid humor one might reasonably expect from a mediocre comedy, Paul Blart: Mall Cop does something unexpected: it becomes watchable, perhaps even passably enjoyable. That...

What would happen if a late-night, D-grade direct-to-cable thriller excised all of the raunchily enjoyable elements and managed to attract an A-list cast? The result might be shockingly like Perfect Stranger, a movie so inane that it fails to rise...

Jane Austen, considered by many literary critics to be among the first of the "modern" writers, is perhaps best known for creating believable, strong-willed, independent female characters in an era when women in books were often little more than wi...

Pretty Persuasion opens with more promise than it closes with. It doesn't take long for the cattily satirical tone to become monotonous as the characters refuse all attempts at development and the plot treads water into the shallows. The film tri...

It is said that revenge is a dish best served cold. The Proposition illustrates that, extending the metaphor, revenge is more often bitter than sweet. Gritty to the point of being disturbing, The Proposition examines the revenge thriller not as t...

Marvel Comics must really like The Punisher. This is their third attempt to bring him to the big screen. There's a saying that "the third time's a charm," but it doesn't apply here. More appropriate is this baseball-related statement: "Three str...

Over the years, the Rambo sequels have been defended as “adrenaline and testosterone cocktails” and “odes to machismo.” It’s hard to imagine, however, what the defense might be for the fifth and final Rambo movie, Last Blood. Who was...

The Road is undoubtedly one of the fall's most anticipated offerings, in part because it has been lingering on the horizon of the cinematic landscape for a year. Originally scheduled for a release in late 2008, it was delayed when filmmaker John H...

Robots is every bit as visually engaging as the best of the Pixar (or Dreamworks) digitally animated fare. The landscapes are stunning, the characters are intricately formed, there's plenty of break-neck action, and Robin Williams provides a helpi...

It seems that once every dozen-or-so years, Sean Connery has the urge to go back into Bondage. After turning in his tuxedo and Aston Martin following 1971's Diamonds Are Forever, Connery ventured into the acting market as a free agent. His v...