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It is said that revenge is a dish best served cold. The Proposition illustrates that, extending the metaphor, revenge is more often bitter than sweet. Gritty to the point of being disturbing, The Proposition examines the revenge thriller not as t...

"Bond. James Bond." Once, those three words stood nape hairs on end for fans of the action/adventure genre. A lot has transpired since 1963 when Dr. No was brought to the screen, but Bond has been a great constant through all those years. One...

Quartet is as safe, conventional, and uncontroversial a film as one could imagine. The straightforward screenplay is elevated considerably by a series of sterling performances. If one wanted to bolster an argument about the importance of acting t...

With The Queen, Stephen Frears has at least two items on his agenda: to humanize the head of the British monarchy while at the same time indicating how far removed she has become from the concerns of her subjects. He also poses questions about the...

1940’s Rebecca was the only Alfred Hitchcock-directed film to win a Best Picture Oscar. Considering the filmmaker’s incredible body of work, that may seem odd, but it’s as much a testimony to the popularity of the source material, Daphe ...

Somewhere buried in the structurally unsound and unevenly paced Red Joan, there exists the material for not only one but two intriguing motion pictures. Unfortunately, neither manages to struggle to the surface and we’re left with a mediocr...

There are two commonly heard sayings about power. The first, "With great power comes great responsibility," sounds almost sanctimonious but represents the credo by which we expect heroic figures (such as policemen) to live. The second, "Power cor...

The middle segment of the Red Riding trilogy, Red Riding: 1980, represents the best of the three films - a taut, bleak perspective of the power of pervasive corruption. By the end of this movie, it becomes clear that the rot within the Yorkshire p...

Red Riding: 1983 brings the Red Riding trilogy to a close and, if the five-hour saga doesn't precisely conclude with a proverbial "bang," neither does it go out with a whimper. The third movie represents the middle ground between the promising-but...

The cream always rises to the top, and such is the indisputable case with Anthony Hopkins' deeply moving portrayal of the stilted butler of Darlington Hall in the newest offering from Merchant Ivory. Reuniting Howards End co-stars Hopkins and Emma...