Emotionally and thematically, "Moonlight" addresses universal subjects, and its power comes as a result of our identification with the characters.
As a dramatic thriller, it does what it needs to do to keep the audience involved and interested.
At its best, it feels like an echo of its predecessor. At its worst, it’s unfunny, crass, and uncomfortable (not in a good way).
If "Moana" seems like a throwback to the animated Disney films of the late 1980s and early 1990s, it’s not a coincidence.
"Allied" probably isn’t prestigious enough to attract much Oscar buzz but it’s too good to be tossed into theaters without a publicity push.
Features some nice performances and contains some strong material but, as a whole, the movie is too slow and too long to really work.
With a smart, perceptive script and an arresting lead performance by Hailee Steinfeld, the film rises to the top of a crowded genre.
Represents an effective melding of visceral and intellectual filmmaking.
"Fantastic Beasts" is an enjoyable stand-alone but its position as the progenitor of a new franchise remains unclear.
Although it could be argued that "Loving" does little more than bring life to a Wikipedia entry, it does so with tact and craftsmanship.