Although this is indeed a romance where one of the participants is stricken with an aggressive form of cancer, it isn’t just another “cancer movie.”
Even the most hard-hearted viewer is likely to have an emotional reaction; this is as much a testimony to the way Cooper tells the tale as to the story itself.
A compelling piece of historical fiction that lingers in the memory largely because of its lush, claustrophobic atmosphere and the towering presence of Klaus Kinski.
The movie becomes so obsessed with narrative switchbacks that it comes close to straying into self-parody territory.
A tonal mess and its inconsistencies make it a frustrating viewing experience.
With its lazy, somnambulant pace and endless stream of cameos, "Around the World in 80 Days" seems to be unfolding in real time (although it boasts stunning visuals).
This superficial and lightweight approach might make for adequate TV viewing but it functions more as a clumsy tease than a satisfying motion picture.
Plodding, repetitive, replete with technobabble nonsense and lifeless action, this is easily the worst-written of any of the 20 to-date MCU offerings.
U.S. Home Release Date: 2018-09-04
MPAA Rating: "PG-13" (Scenes of Peril, Disturbing Images, Brief Nudity)
Director: Baltasar Kormakur
Cast: Shailene Woodley, Sam Claflin
An honest, if somewhat neutered, account of what happens in situations like this, and worth seeing if you have an interest in (Wo)man vs. Nature battles.
A standard-order noir murder mystery with a confused last act, "Anon" is more notable for how it sees the future than what it sees going on there.