History has decreed that "Umberto D." is one of the best representations of neo-realism committed to film, presenting believably human characters and avoiding sentimentality in telling their stories.

More an affectionate homage than an acerbic satire, the movie offers Cage fans an abundance of Easter Eggs.

Will likely satisfy audiences who go in with appropriately established expectations because, for what it is, the film is solidly entertaining.

Although aspects of the storyline may seem familiar, the overall trajectory retains the capacity to surprise and shock with its bluntness.

Despite an intriguing premise and a single great sequence, "Us" is a muddled affair that goes off the rails the more Peele tries to expand, explore, and explain his basic concept.

The screenwriter’s guiding hand is too obviously present and becomes an impediment to any appreciation of the characters’ evolutions.