Stands out from most surviving silent films in both its epic scope and ability to craft scenes and images that remain effective nearly 100 years later.
The film’s themes and emotions are universal and Baumbach shows great sensitivity in his depiction of the personal toll of a divorce.
Makes a conscious decision to address a subject that not many family films would touch with a ten-foot pole…then bungles the implications and the message.
"Mary" is more mediocre than bad but there’s nothing here to catch the attention of anyone serious about their horror.
Doesn’t embody the standards nor incorporate the tropes one associates with escape films yet, in its own quiet, insistent way, it’s as good or better than most of them.
An excellent hybrid gangster/neo-noir film that delivers with both barrels.
A much different breed of horror than one typically finds in multiplexes, trading in jump scares for something longer and lingering.
"Men in Black International" is more than just an afterthought; it’s an unfortunate afterthought.
It’s creepy and suspenseful and, although the last act goes on auto-pilot, the film offers a better-than-average experience for those who like their psychopaths unhinged.
Surviving the passage of time are the complexity of the relationship between the two main characters and the tragic arc inscribed by their interaction.