With "mother!", director Darren Aronofsky seems determined to baffle, infuriate, and divide his audience.
"Rebel in the Rye" falls into the trap that ensnares many a bio-pic: trying to present too broad a chronology in too limited a time.
There’s always a place for good acting, clever dialogue, and a sense of humor, even if the narrative teeters between incidental and irrelevant.
Artificial and reeking of white privilege, this is the kind of movie that causes people to mutter things about “entitlement” when speaking of the “Hollywood elite.”
Whatever small pleasures it may offer are wiped out by the frustrating sense of incompleteness that accompanies the arrival of the end credits.
"Anti Matter" is the existential successor to 2015’s "Ex Machina" - low-budget sci-fi in which ideas trump effects.
An atmospheric period-piece murder mystery, The Limehouse Golem combines elements of Sherlock Holmes and Jack the Ripper.
Stephen King fans can rejoice that Hollywood has done justice to one of the author’s scary books.
Lifeless, contrived, and sleep-inducing, it’s an example of how badly wrong a film can go.
U.S. Home Release Date: 2017-10-03
MPAA Rating: "R" (Violence, Profanity, Sexual Content)
Director: Jay Baruchel
Cast: Seann William Scott, Alison Pill, Marc-Andre Grondin, Liev Schreiber, Wyatt Russell, Kim Coates, Elisha Cuthbert, Jay Baruchel, Callum Keith Rennie
"Goon: Last of the Enforcers" is a waste of time, money, talent, and the goodwill of viewers who appreciated the earlier picture.