A great Valentine to old-time video games, the Internet, and Disney (whose princesses steal the show).
Well-made but uneven, "The Front Runner" is a less a film for general movie-goers than for political junkies.
U.S. Release Date: 1978-11-17
MPAA Rating: "NR"
Genre: Science Fiction/Variety
Director: Steve Binder
Cast: Mark Hamill, Harrison Ford, Carrie Fisher, Peter Mayhew, Anthony Daniels, James Earl Jones, Mickey Morton, Paul Gale, Patty Maloney, Beatrice Arthur, Art Carney, Harvey Korman, Diahann Carroll, Jefferson Starship
The cliche "it's so bad, it's good" doesn't apply here. "The Star Wars Holiday Special" isn't enjoyable on any level, campy or otherwise. It's just ugly, painful, and boring.
Does an excellent job assembling pieces and preparing viewers for the larger picture but disappoints in its ability to tell a stand-alone story.
U.S. Release Date: -
MPAA Rating: "NR" (Sexual Content, Profanity, Violence)
Director: Tony Richardson
Cast: Albert Finney, Joan Greenwood, Julian Glover, Edith Evans, David Warner, Joyce Redman, Hugh Griffith, George Devine, Susannah York, Micheal Mac Liammoir
Has retained the ability to make viewers laugh at the screwball antics of its characters and remains a breezy, enjoyable romp.
U.S. Home Release Date: 2019-02-05
MPAA Rating: "R" (Violence, Profanity, Sexual Content, Nudity)
Director: Steve McQueen
Cast: Viola Davis, Daniel Kaluuya, Brian Tyree Henry, Robert Duvall, Colin Farrell, Cynthia Erivo, Carrie Coon, Elizabeth Debicki, Michelle Rodriguez, Liam Neeson
McQueen achieves his aim of using a genre framework to advance serious themes, which makes "Widows" an uncommonly good thriller.
With the exception of a few slow spots, this "Braveheart" quasi-sequel flows briskly and is one of the better “Netflix originals” the service has provided.
A generic espionage/crime thriller; although briskly paced, the plot is far from airtight and demands a deus ex machina to reach its climax.
“Hollow cash grab” is one way to describe "The Grinch." Equally appropriate would be “soulless abomination.”
Reports about what goes on behind the closed doors of Conversion Therapy camps have been in the press for years and the film’s vivid presentation engages the viewer on a visceral level.