Does an excellent job assembling pieces and preparing viewers for the larger picture but disappoints in its ability to tell a stand-alone story.
Plays out with as much (or more) suspense than any conventional thriller as the cameras capture every step of the treacherous ascent.
For those who can get past the shaky-cam aspect that infects the cinematography, this is an involving look back in time at one of the most significant human endeavors of the last century.
While there are a few moments in the movie that can be said to be Moore at his best, the production as a whole may be Moore at his worst.
A fully disengaged brain is probably the key to enjoyment. Even basic logic engenders a recognition of how truly stupid this screenplay is.
While there are gunfights and everything concludes with a big shoot-out, the complexity of the situation is anything but standard-order fare for a Western.
Light on backstory and details and strong on adrenaline and testosterone...not unlike the three films that came before it.
Although entertaining throughout and occasionally moving, the film is less an epic drama than an historically-based soap opera.
The cast is top-notch and the characters are sufficiently likable but the movie’s vanilla narrative repeatedly offers unsurprising plot points.
Although there are numerous problems with "Fifty Shades Freed," the fundamental one is also the most obvious: the lack of a compelling story.