As beguiling as it is frustrating, with a fascination for the visual style compensating for a difficult-to-navigate storyline.
An emotionally satisfying experience that brings to life a group of appealing characters and allows them to grow and expand in front of the lens.
This clumsy, straightforward caper comedy is neither funny nor clever and leaves no lasting impression beyond the desire to warn people to stay away.
Showing great restraint and refusing to demonize the closed community in which the story transpires, director Sebastian Lelio has tackled the age-old tale of forbidden love and its implications.
Engages because the actors are sufficiently invested that they give breadth and depth to characters who are, for the most part, underwritten.
Compensates for narrative hiccups by offering an effective performance by Ben Kingsley and a story that goes to places many similar films would avoid.
A hard-to-swallow drama about sibling rivalry, mental illness, and bad therapy, it's cobbled together using clichés and contrivances.
Starts strongly but the qualities that make the first 20 minutes harrowing drain away and the movie morphs into an unsatisfying excursion into fantasy-tinged horror.
The cast is top-notch and the characters are sufficiently likable but the movie’s vanilla narrative repeatedly offers unsurprising plot points.
Director Harbaugh presents grief as it is, in all its pain and ugliness, rather than using the convenient, uplifting short-hand that Hollywood prefers.