Helped to define not only the filmography of Andy Sidaris, but the 80s exploitation subgenre that became popular in drive-ins and video stores.

For all its skill at mimicry, it has nothing to say and no real story to tell. It’s as ephemeral as it is unpleasant – a rancid little curiosity whose impressions are easily flushed.

Without a question the best sequel in the classic Universal monster cycle, it ranks alongside "Frankenstein" (if not slightly above it) at the apex.

There is enough humor in the mix to elevate "Beverly Hills Cop" above the level of a staple 80s action film.

It hurts to search for logic in the wreckage of a screenplay that feels like it was cut into tiny pieces and glued back together in some random order.

"Staying Alive" is only about trying to breathe life into the then-fading career of John Travolta and making money off a recognizable title.