Filters:

Relies on old-fashioned movie elements like atmosphere, character development, and narrative arc without needing crutches like fast editing, frenetic action sequences, and visual clutter.

Run Time: 1:43
U.S. Release Date: 1991-10-18
MPAA Rating: "R" (Profanity, Sexual Content)
Genre: Drama
Director: Norman Jewison
Cast: Danny DeVito, Gregory Peck, Penelope Ann Miller, Piper Laurie, Dean Jones

There are enough good things to warrant a look for those who may have dismissed the film in 1991 or who never saw it.

The most accessible of Soviet director Andrei Tarkovsky’s films, it relies more on mood and atmosphere than narrative and character.

Run Time: 1:40
U.S. Release Date: 2020-03-06
MPAA Rating: "PG"
Genre: Animated
Director: Dan Scanlon
Cast: Tom Holland, Chris Pratt, Julia Louis-Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer

There’s something here for everyone, even if the overall package isn’t likely to go down as the next Disney/Pixar “classic.”

Run Time: 1:46
U.S. Release Date: 2020-03-06
MPAA Rating: "R" (Profanity)
Genre: Drama
Director: Gavin O'Connor
Cast: Ben Affleck, Janina Gavankar, Michaela Watkins, Al Madrigal, Melvin Gregg

Although the screenplay occasionally falters, Affleck’s performance is rock-solid throughout and that makes "The Way Back" a journey worth taking.

At times moves too slowly for its own good but the climax is as rousing as that of any Western made during the decade when the genre was at its peak.

The questions you expect to be answered are likely not the same ones that interested Antonioni.

Although the structure is designed to mimic that of a standard police procedural, the movie is really about the ugly side of human nature.

Run Time: 2:16
U.S. Release Date: 2019-12-25
MPAA Rating: "PG-13" (Profanity, Adult Themes)
Genre: Drama
Director: Destin Daniel Cretton
Cast: Michael B. Jordan, Jamie Foxx, Brie Larson, Tim Blake Nelson, Rafe Spall, O’Shea Jackson Jr.

Despite the whiff of “Oscar bait” surrounding the production, it’s a well-made, affecting tale about do-gooders who do good rather than merely muddying the waters.

Because of the strength of the acting (Ronan’s in particular) and Gerwig’s unusual reworking of the novel’s chronology and ending, it deserves to be seen.