Filters:

There’s a point at which the “more of the same” mantra changes to “been there, done that.”

Run Time: 1:52
U.S. Release Date: 2019-05-10
MPAA Rating: "PG-13" (War Violence)
Genre: Drama
Director: Dome Karukoski
Cast: Nicholas Hoult, Lily Collins, Derek Jacobi, Colm Meaney, Harry Gilby, Patrick Gibson, Anthony Boyle, Tom Glynn-Carney

More like the dramatization of an Encyclopedia Britannica entry than a fully rendered movie, "Tolkien" loses sight of the character.

Run Time: 1:44
U.S. Release Date: 2019-05-10
MPAA Rating: "PG"
Genre: Fantasy/Adventure
Director: Rob Letterman
Cast: Ryan Reynolds, Justice Smith, Kathryn Newton, Howard Clifford, Ken Watanabe, Chris Geere

This isn’t a movie, it’s a cog in a multibillion-dollar media empire, a soulless feature-length example of product placement at its most blatant.

Run Time: 1:46
U.S. Release Date: 2019-05-03
MPAA Rating: "NR" (Sexual Content, Nudity, Adult Themes)
Genre: Drama
Director: AJ Jankel
Cast: Anna Paquin, Holliday Grainger, Emun Elliott, Gregor Selkirk, Lauren Lyle, Kate Dickie

The framing of characters is black-and-white and the far-too-pat ending offers an unearned resolution.

Run Time: 1:40
U.S. Release Date: 2019-05-03
MPAA Rating: "NR" (Sexual Content, Profanity)
Genre: Documentary
Director: Ryan White
Cast: Ruth Westheimer

Because the movie never loses its focus and allows Ruth Westheimer’s charisma to remain front-and-center, this is an effective and sometimes surprising mini-biography.

Run Time: 1:42
U.S. Release Date: 2019-05-03
MPAA Rating: "PG-13" (Violence, Profanity, Sexual Content)
Genre: Thriller
Director: Deon Taylor
Cast: Dennis Quaid, Meagan Good, Michael Ealy, Joseph Sikora, Alvina August

The problem with "The Intruder," as with its antecedents, is a combination of narrative predictability and character stupidity.

As much a fantasy in the political realm as in the romantic one, "Long Shot" is a pleasant trifle that leaves behind a warm fuzzy feeling.

A story as remarkable as that of J.T. LeRoy deserves a more compelling rendition than the one presented in Justin Kelly’s interpretation.

A worthy conclusion to the Infinity War duology that provides a satisfying end to the First Avengers Era.

This example of prepackaged horror is so by-the-numbers that even the jump-scares don’t cause much of a jump.