Ponsoldt taps into nostalgia as the jumping-off point for a movie that ultimately goes nowhere, with underdeveloped characters whose stories never gel.

It’s Agatha Christie crossed with "Euphoria," and mostly works as both a slasher murder mystery and a drug/alcohol-fueled Gen Z soap opera.

There’s a time and a place for mayhem, and that’s essentially what "Bullet Train" is: two hours of fights, carnage, and witty repartee.

More notable for the performances of Tim Roth, Grace Kaufman, and especially Rebecca Hall than the supernatural elements or the narrative.

It might be fair to argue that Shephard overreaches but there’s something bracing and fresh about throwing caution to the wind the way she does.

Although not a single line has been retained from Shakespeare's "Macbeth," "Throne of Blood" represents one of the best (if not the best) screen versions of the story.